maker | The Filson Journal

Mary Goddard: Imprints of Copper and Community

Carved into silver, the fiddlehead catches my eye as light reflects off a displayed cuff’s surface. We are standing in Mary Goddard’s studio in Sheet’Ká (Sitka), Alaska. On the wall, seemingly fresh splotches of paint sample shades of green that seem to bring the most northern rainforest into the small space. Copper sheets, large unfinished tina’as, and a formline eagle and raven sit waiting to take flight on her worktable.

Filson x Patric Hanley: limited edition luggage

Patric Hanley is a New York City-based artist specializing in oil paintings. His exclusive collaboration with Filson, featuring motifs inspired by North American fauna, draws influence from Midwestern roots. We caught up at his studio to learn about his craft and the creation of the Filson limited-edition Rugged Twill bags.

Michael Hall: Portland’s Backyard Surfboard Shaper

In 2008, Michael Hall moved to Portland, Oregon, and was promptly laid off. A geologist by training, the 28-year-old Washington native had spent the past five years zipping around the Alaskan tundra and other equally remote locales in a helicopter, looking for mineral deposits. But the Great Recession clobbered the mining industry and left Hall out of work, in a new town, with substantial free time to burn. He enrolled in graduate school, at Lewis & Clark College, hoping to pivot into education. But he still had ample opportunities to surf, a hobby he’d taken up two years earlier. The problem was that “at the time,” Hall says, “surfboard designs were not very well geared for our waves, which tend to be flatter than, like, big barreling Hawaiian-reef waves.”